The Overcoming Project Multitracks – Free Download For Mixing Portfolio https://dashboard.mailerlite.com/forms/436702/88029248731743817/share
In this ultimate guide to blending metal guitar tone, we dive deep into the art of creating a bone-crushing sound that will leave your audience in awe.
Whether you’re a seasoned guitarist or just starting out, this video is packed with valuable insights and practical tips to help you achieve that killer metal tone you’ve always desired.
Discover the secrets behind blending different guitar tones to create a unique sonic landscape that cuts through the mix with precision and clarity. We break down the characteristics of various metal tones, explaining how to craft the perfect tone for thrash, death metal, djent, and more.
Learn how to assess your initial tone, create complementing tones, and glue these together for an ultimate massive result.
Whether you’re aiming for crushing heaviness or soaring melodic leads, this comprehensive guide will equip you with the knowledge and tools to take your metal guitar tone to the next level. So grab your favorite axe, crank up the volume, and let’s dive into the world of blending metal guitar tones like a pro!
Young Ghosts – Relapse – UNOFFICIAL MIX [URM Multitracks]
This track is used with permission by Young Ghosts and URM Academy. The original production and mix was done by Nick Pilotta. This new mix is an unofficial version and not on the actual release.
In this informative and insightful video, metal producer Dr. Mike Trubetskov explores the key differences between analog and digital mixing in modern metal music production. Drawing on his years of experience in the industry, Dr. Trubetskov discusses the unique characteristics of each approach and the ways in which they can be used to achieve different sonic outcomes. Analog Mix Metal.
Through a series of engaging demonstrations and examples, Dr. Trubetskov highlights the benefits and drawbacks of both analog and digital mixing, as well as the creative possibilities that each method offers. He provides a comprehensive overview of the technical and aesthetic considerations that metal producers must take into account when mixing their tracks.
Whether you’re a seasoned metal producer looking to refine your mixing skills, or a curious music enthusiast interested in the nuts and bolts of modern metal production, this video is sure to provide valuable insights and practical tips that you can apply to your own creative endeavors. So join Dr. Mike Trubetskov as he unlocks the difference between analog and digital mixing in modern metal, and discover new ways to take your music to the next level.
Multitracks by Brian Hood, 456recordings.com – Stand Alone Complex
In this video, I discuss how the rapid expansion of Dolby Atmos overtakes the film and music industry. Do not miss out on Dolby Atmos as it will soon become a requirement for your music. Atmos is currently available in movie theaters, TVs, flatbars, cars and on headphones. We can only see what happens next with Dolby Atmos Mixing!
Avoid phase issues when blending multiple guitar amps. In response to @metalprognosis
In this video, I show how you can use Eventide Precision Time Align in order to blend multiple guitar amps, cabs, IRs or plugins and avoid phase cancellation.
One of my favourite projects for the year. Modern Metal / Metalcore band Into The Vein from Melbourne, Australia. Had the pleasure to record drums and vocals for this banger, and mix it. Drums recorded at Bushido Studios with Dan Presland, too, and mastered by almighty Lance Prenc.
Check it out!
If you are wondering who mixed Into The Vein, then look no further as that was me.
Many of you are struggling to understand compression when mixing metalcore drums, modern metal drums, and deathcore drums. And I am still learning and adjusting to the modern super-compressed landscape, too!
In this video, walk through the session with me where we mixed programmed modern metal drums and learn compression principles, why and how with 1176, Distressor, Fabfillter Pro-C2, Kush Audio. Serial and Parallel Compression explained, too.