Metal Mixing, Metal Mixing Melbourne, Metal Mix Engineer, Metal Recording, Metal Producer
Many of you are struggling to understand compression when mixing metalcore drums, modern metal drums, and deathcore drums. And I am still learning and adjusting to the modern super-compressed landscape, too!
In this video, walk through the session with me where we mixed programmed modern metal drums and learn compression principles, why and how with 1176, Distressor, Fabfillter Pro-C2, Kush Audio. Serial and Parallel Compression explained, too.
If you want your modern metal / metalcore mix to sound smashed, you may be easily pushing it too hard, losing punch and introducing unwanted distortion.
In this video, I will show you how to use series of limiters and clippers to retain huge loudness and energy of your modern metal mix, yet sound bigger and clearer.
How To Layer Synths for FAT Modern Metal Guitar Riff Tone – Metal Production and Mixing Tutorial for Metal Synth Guitar!
Lots of Modern Metal, Metalcore, Deathcore Productions and Mixes use Synths for thickening and fattening the Guitar Riffs. In this video, I show one of the approaches for Synth Layering, how to achieve good Synth Tones that Complement Modern Metal Guitar Riffs, and which Riff to choose!
If you are looking to #release or #releasing your #metal #music anytime soon, you need to develop the right plan to not screw the release up.
This includes content, social media scheduling, marketing objectives and budget. In this video, I briefly talk about the basics and highlight the most common mistakes that I see in release strategies.
This information is based on my experience releasing #theovercomingproject If you have questions and wish me to make more content on a specific topic, hit me up! I am still learning music marketing and promotion just like you do. #metalband #metalcore #metalrelease
How to Release Metal Music.
If you ever wondered, what’s the impact of Metal Guitar Cab IR on your heavy tone, and what cabinet impulse response actually changes in your sound, this video is for you.
I perform a scientific level-matched test of 2 different metal guitar amps into a single guitar cab IR Impulse Response. I then change this into using the same guitar amp and changing guitar cab IR 3 times.
The difference is stunning and explains a lot! Multitracks from www.tight-sound.site (not affiliated)
Make Believe EQ – MBEQ. In this video, I took a deep dive in the new offering of Make Believe Audio. I compare MBEQ with Fabfilter, and discuss applications and limitations of both. I explore the hotkey workflow of MBEQ, the Sauce colour function, compare the Notch and the overall workflow of MBEQ vs Fabfilter.
Mixing Metal Guitars with Axe FX 2 in Reaper – Full Sounding Digital Tone. In this video, I do a deep dive into the optimal plugin chain, EQ, compression, multiband compression, saturation to get your modern digital metal guitars cut through the dense mix. Using a free mixing multitracks from tight-sound.site (not affiliated) Hope that you enjoy!
Make Believe Plugins, Sontec EQ. Trying these plugins for Mixing Metal out and drawing some conclusions!
I am not affiliated with Make Believe Audio, nor do I own the plugins.
I got the free multitrack from www.tight-sound.site
Make Believe Studios https://www.makebelievestudio.com/products
In this video, I talk about Metal Guitar Layers, and how to record these for Modern Metal Guitars. – Reasons to record harmonies and doubles. – Layers for Rhythms. Harmonies. Vibrancy. Quads – Layers for Leads
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You may be looking for some high-quality Modern Metal Stems and Multitracks for Mixing in order to grow your portfolio or for practice. All you normally come across is covers or stuff that you can’t use publically, with some rare exceptions (shout out Brian Hood and 456recordings!)
I decided to make The Overcoming Project Multitracks For Mixing public. Just be sure to credit me the following way:
The Overcoming Project – [Song Name] – Produced by Dr. Mike Trubetskov (EOL Studios), Mixed by [Your Name]
The Overcoming Project is Psychedelic Metal with Mike Heller of Fear Factory, Jon Howard of Threat Signal and Imonolith, Sergei Fomin of FS Projekt, and Dr. Mike Trubetskov (myself) from EOL Studios. T.O.P. has been featured in such journals as Metalsucks, Ultimate-Guitar, Spaceuntravel, Lambgoat, HEAVY Magazine, Bravewords, and more.
The Overcoming Project – Overcoming. Official Visualiser. Made with ProjectM Open Source Visualiser (https://github.com/projectM-visualize…)
“Overcoming” depicts a thorny path through the Doctorate degree, burnout, and insane 60-hour working weeks for years to build a Metal studio.
The Overcoming Project is a Psychedelic Metal project featuring world-class metal musicians Mike Heller (Fear Factory, Malignancy) on drums, Jon Howard (Threat Signal, Imonolith) on vocals, and Sergei “Efes” Fomin (FS Projekt) on bass. Executed by Doctor Mike Trubetskov – Guitarist and Producer at EOL Studios.
Dr. Trubetskov on the new release: “Overcoming” is a recipe of becoming a better person through brutal self-growth”.
Listen to Overcoming: https://lnk.to/topovercoming
7 Great Free Plugins for Recording and Mixing Metal. My selection and plugins that I use on daily basis in my productions and mixes.
These plugins cover Guitar, EQ, Compression and Saturation for you. I am not affiliated with any of the companies!
1. Amped Roots Free Guitar Amp Sim: https://ml-sound-lab.com/products/amp…
2. Ignite NadIR free Impulse Response Loader: https://www.igniteamps.com/
3. IK Multimedia Comprexxor (Free until September 20th, 2022): https://www.ikmultimedia.com/news/?it…
4. Audio Damage RoughRider 3: https://www.audiodamage.com/pages/fre…
5. TDR Nova EQ: https://www.tokyodawn.net/tdr-nova/
6. Acustica Audio Coffee the PUn: https://www.acustica-audio.com/pages/…
7. Softube Saturation Knob: https://www.softube.com/saturationknob
The Overcoming Project – Determination. Exclusive Premiere via MetalSucks. With Jon Howard of Threat Signal, Arkaea, Imonolith, Mike Heller of Fear Factory, and Sergei FS Fomin of FS Projekt
The Overcoming Project is a Psychedelic Metal project featuring world-class metal musicians Mike Heller (Fear Factory, Malignancy) on drums, Jon Howard (Threat Signal, Imonolith) on vocals, and Sergei “Efes” Fomin (FS Projekt) on bass. Executed by Doctor Mike Trubetskov – Guitarist and Producer at EOL Studios.
”Overcoming” EP depicts a psychedelic journey through immigration, Doctorate degree, Type I Diabetes and insane burnout into discovering the true purpose and becoming a Metal Producer.
After releasing the “Anxiety” single in 2020 through Heavy Magazine, The Overcoming Project returns with a bang.
CAA OD100 Custom Audio Amplifiers Metal Guitar Amp Reamp and Review. Using Lasse Lammert DIs, Pepper’s Pedals Dirty Tree, Suhr Reactive Load, CAPI VP26 mic pre.
Mixing Your Own Music is hard – be it Metal, Rock or any other genre. In this video, I share my recent experience when mixing The Overcoming Project and some insights that can help you on your path!
P.S. Pre-save the track here! https://distrokid.com/hyperfollow/the…
My first impressions of Bogren Digital AmpKnob Rev C. Guitar Playthrough, comparisons with ML Sound Lab Amped Roots and Custom Audio Amplifiers OD 100. Hope that you dig my thoughts!
My Metal Recording Studio Tour. Gear by Custom Audio Amplifiers, Suhr, Darkglass, ENGL, Ownhammer, Rupert Neve, Universal Audio, Louder Than Liftoff, Cranborne Audio, CAPI, Wes Audio, Avid, Audioscape, Horizon Devices, Focal, Amphion, Focal, Pepper’s Tree.
What’s the difference between playing Metal live and recording in the studio? Having just stepped off stage from our gigs with Hybrid Nightmares, I summarise the different approaches in this video as a studio and live guitarist.
A simple method that allows you to better hear compression, EQ, saturation in your Heavy Metal Recording and Mix – Guitars, Drums, Bass, Vocals. Push things to the extreme, level match and listen to the results while changing one parameter at a time.
Recording Metal in the Studio vs. at Home – Which is Better?
Let’s break down one of the common recording myths – Recording Metal at Home is just as good as Recording Metal in the Studio. In this video, I talk about the not so obvious advantages of recording your heavy music in the studio with a producer, and what value you could get from it.
Keywords: Recording Metal Home Studio
Recording Metal Tutorial. Setting up Gain Staging and Levels while Recording your Heavy Metal Guitars, Drums, Bass and Vocals at Home Studio – Makes it or Breaks it!
Find out how different is the sound for correct and incorrect gain staging within Logic, Cubase, Pro Tools, Reaper, or any other DAW, and how to set it up correctly.
Mixing Metal Tutorial. Compression is a key way to make instruments powerful and fit in the Heavy Metal Mix. Overcompression, however can make instruments sound thin, too pushed and, frankly, boring.
I discuss unique ways to retain dynamics and still keep Metal Guitars, Drums and Bass super powerful in the Mix. By using Tape, Saturation and Transformer Clipping.
Staying Present and Mindful when Recording Metal. It’s all about the mindset. The state of mind that you are in during the recording session in the studio or at home, dictates the end result. The way you feel translates into your guitar, bass, drums and vocal recording, and even mixes. Consider tuning your mind into your music and not losing the big picture, and the results will follow.
In this video, I show my Analog Mix Bus Chain for Mixing a Metal Track. Featuring Louder Than Liftoff Silver Bullet, Rupert Neve 5043 Compressor, Rupert Neve 542 Tape Emulator. How to Mix Metal with outboard gear.
Common mistakes when recording Heavy Metal Guitars, Bass, Drums, Vocals at Home Studio. I talk about my direct experience receiving multitrack for mixing, and ways to prevent these mistakes from happening! Inconsistent levels, bad doubling, too complicated layers and not finding your sounds. If this sounds like you – check this video out.
I. Guitar Pro for Pre-Production
II. Tightness is More Than Raw Sound
III. A Tale About Originality
Recording Metal Guitar. How to get Heavy and Crushing Metal Guitar Tone starting from Guitar DI and into Mix-Ready Sound. I cover Cab Impulse Response IR Selection, Amp tone block, corrective and colouring EQ, dynamic EQ, multiband EQ, saturation, compression and lack of it, guitar reverb, and how to fit this all into the mix to obtain heavy, clean and crushing Metal Guitar Sound and Tones.
Metal Guitar Editing. I show how simple editing should be, and how fast you can get tight sounding heavy guitars (with decent performance in the first place). Manual editing, no auto-aligning or flex-editing needed. Edit your guitars based on DI tracks.
A common myth about mixing heavy rock and metal is that instruments in solo / isolation sound thin, brittle, or plain wrong, and only when combined they complement to each other. While it may be true to some extend (high pass filters, etc), I show that instruments need to sound big and full on their own, as well as combined together. Have a listen with me on my recent mixes for The Archanan, Sliimak, and The Overcoming Project.
Doctor Mike Reacts to Shiddy Heavy Metal / Metalcore Snare Drums and Mixes. I listened to In Flames (I Am Above, Clayman 2020), Children Of Bodom (Something Wild), Metallica (St. Anger), Meshuggah (The Violent Sleep of Reason), Erra (Drift), Mnemic (Liquid), Alpha Wolf (Black Mamba), Emmure (Slave To The Game). I analyse and explain what I think is right or wrong with the sound of snare drums in these mixes.
