How To Layer Synths for FAT Modern Metal Guitar Riff Tone – Metal Production and Mixing Tutorial for Metal Synth Guitar!
https://youtu.be/3Kvv3f8STBo
Lots of Modern Metal, Metalcore, Deathcore Productions and Mixes use Synths for thickening and fattening the Guitar Riffs. In this video, I show one of the approaches for Synth Layering, how to achieve good Synth Tones that Complement Modern Metal Guitar Riffs, and which Riff to choose!
If you ever wondered, what’s the impact of Metal Guitar Cab IR on your heavy tone, and what cabinet impulse response actually changes in your sound, this video is for you. I perform a scientific level-matched test of 2 different metal guitar amps into a single guitar cab IR Impulse Response. I then change this into using the same guitar amp and changing guitar cab IR 3 times.
The difference is stunning and explains a lot! Multitracks from www.tight-sound.site (not affiliated)
Mixing Metal Guitars with Axe FX 2 in Reaper – Full Sounding Digital Tone. In this video, I do a deep dive into the optimal plugin chain, EQ, compression, multiband compression, saturation to get your modern digital metal guitars cut through the dense mix. Using a free mixing multitracks from tight-sound.site (not affiliated) Hope that you enjoy!
Make Believe Plugins, Sontec EQ. Trying these plugins for Mixing Metal out and drawing some conclusions! I am not affiliated with Make Believe Audio, nor do I own the plugins.
I got the free multitrack from www.tight-sound.site
In this video, I talk about Metal Guitar Layers, and how to record these for Modern Metal Guitars. – Reasons to record harmonies and doubles. – Layers for Rhythms. Harmonies. Vibrancy. Quads – Layers for Leads
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You may be looking for some high-quality Modern Metal Stems and Multitracks for Mixing in order to grow your portfolio or for practice. All you normally come across is covers or stuff that you can’t use publically, with some rare exceptions (shout out Brian Hood and 456recordings!)
I decided to make The Overcoming Project Multitracks For Mixing public. Just be sure to credit me the following way:
The Overcoming Project – [Song Name] – Produced by Dr. Mike Trubetskov (EOL Studios), Mixed by [Your Name]
The Overcoming Project is Psychedelic Metal with Mike Heller of Fear Factory, Jon Howard of Threat Signal and Imonolith, Sergei Fomin of FS Projekt, and Dr. Mike Trubetskov (myself) from EOL Studios. T.O.P. has been featured in such journals as Metalsucks, Ultimate-Guitar, Spaceuntravel, Lambgoat, HEAVY Magazine, Bravewords, and more.
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The Overcoming Project – Determination. Exclusive Premiere via MetalSucks. With Jon Howard of Threat Signal, Arkaea, Imonolith, Mike Heller of Fear Factory, and Sergei FS Fomin of FS Projekt
The Overcoming Project is a Psychedelic Metal project featuring world-class metal musicians Mike Heller (Fear Factory, Malignancy) on drums, Jon Howard (Threat Signal, Imonolith) on vocals, and Sergei “Efes” Fomin (FS Projekt) on bass. Executed by Doctor Mike Trubetskov – Guitarist and Producer at EOL Studios.
”Overcoming” EP depicts a psychedelic journey through immigration, Doctorate degree, Type I Diabetes and insane burnout into discovering the true purpose and becoming a Metal Producer.
After releasing the “Anxiety” single in 2020 through Heavy Magazine, The Overcoming Project returns with a bang.
Mixing Your Own Music is hard – be it Metal, Rock or any other genre. In this video, I share my recent experience when mixing The Overcoming Project and some insights that can help you on your path!
A simple method that allows you to better hear compression, EQ, saturation in your Heavy Metal Recording and Mix – Guitars, Drums, Bass, Vocals. Push things to the extreme, level match and listen to the results while changing one parameter at a time.
Recording Metal in the Studio vs. at Home – Which is Better?
Let’s break down one of the common recording myths – Recording Metal at Home is just as good as Recording Metal in the Studio. In this video, I talk about the not so obvious advantages of recording your heavy music in the studio with a producer, and what value you could get from it.
Recording Metal Tutorial. Setting up Gain Staging and Levels while Recording your Heavy Metal Guitars, Drums, Bass and Vocals at Home Studio – Makes it or Breaks it!
Find out how different is the sound for correct and incorrect gain staging within Logic, Cubase, Pro Tools, Reaper, or any other DAW, and how to set it up correctly.
Mixing Metal Tutorial. Compression is a key way to make instruments powerful and fit in the Heavy Metal Mix. Overcompression, however can make instruments sound thin, too pushed and, frankly, boring.
I discuss unique ways to retain dynamics and still keep Metal Guitars, Drums and Bass super powerful in the Mix. By using Tape, Saturation and Transformer Clipping.
Staying Present and Mindful when Recording Metal. It’s all about the mindset. The state of mind that you are in during the recording session in the studio or at home, dictates the end result. The way you feel translates into your guitar, bass, drums and vocal recording, and even mixes. Consider tuning your mind into your music and not losing the big picture, and the results will follow.
Recording Metal Guitar. How to get Heavy and Crushing Metal Guitar Tone starting from Guitar DI and into Mix-Ready Sound. I cover Cab Impulse Response IR Selection, Amp tone block, corrective and colouring EQ, dynamic EQ, multiband EQ, saturation, compression and lack of it, guitar reverb, and how to fit this all into the mix to obtain heavy, clean and crushing Metal Guitar Sound and Tones.